Paruthiveeran karthi full#

Her cousin, Paruthiveeran, helps to keep her alive, and an obsessive love is born. In a black and white flashback, a young girl is pushed into a well. WeвЂ™re in a place divided by caste and old grudges, where the police are the law but not the authority. ItвЂ™s all very colourful and entertaining, and then the knives come out. The camera draws the eye in through a range of points of view, creating the feeling of being part of the milling crowds.

Paruthiveeran karthi full#

With all its ups and downs, Paruthiveeran is still worth a look.The film opens at a temple festival, full of colour and music. The pick of the lot is Ariyatha Vayasu? sung by Raja sir himself which has been picturised well.ДЄbout a half-hour shorter, the film (2 hr 50 min) would have been much better. Yuvan Shankar has forayed into rural music his father?s strong point in late 70?s when he had teamed up with Bharathiraaja. The first introductory song at 12 minutes is too lengthy. There are far too many songs mainly folk that irritates you especially the one that comes just after interval. Saravanan as the wayward uncle with a heart of gold is terrific and Ganja Karuppu?s comedy moves with the story. To be honest, it is not just the leads, but every single actor, even in bit roles bring in so much to the film. You just can?t take your eyes off her and probably there is no one who could make this role so convincing and life like.

And it?s Priya Mani who steals the show with her spontaneity and authenticity.

His expressions, anger, laughter and anquish are all so realistic that you can feel the fire in him. It?s hard to believe that it is Karthi?s debut film as he is just spectacular. Ramji?s camera has captured every scene especially the interiors of houses and the festivals superbly. The brown colour scheme used throughout, the flashback scenes in different hue are splendid. The locations and people look so real that you are transported to that world while watching the film. At times he should understand that silence, subtlety and sense are more effective than showing realism for the sake of it.Дespite these reservations, technically Paruthiveeran is superior. How we wish Ameer had given a subtle effect instead of going into an extensive and exaggerated detailing of rape and killing to create drama.

It is one the most brutal gang rape scene in Tamil cinema! Were the censors sleeping? Four guys rape a wounded helpless girl, people undressing and dressing casually, their comments after the act, blood gushing out and above all the dialogues in the background as the victim pleads - all this is too hard to digest. But his enemies including Muthazhagu?s father gang up against the lovers who are on the run and what follows is the final twist and a gory climax.ДЄmeer?s script is too thin on logic and the climax is too heavy, dark and morbid. But finally he succumbs to her good heart and true love and tries to reform himself. Veeran?s biggest dream is to do something big and go to Madras Central jail instead of indulging in petty crimes! Muthazhagu is determined to be Veeran?s girl though he does not reciprocate and often spurns her love. She is aggressive, stubborn and follows her mind giving a damn to her parents or people around her. Muthazhagu (Priya Mani) is Veeran?s cousin and childhood sweetheart who is still madly in love with him. His best friend, guide and companion in crimes is his Chittappa Chevazhai (Saravanan) who had brought him up. Veeran (Karthi) is a vagabond and ruffian in a village simmering with caste tensions. However after the end of it all, we wonder why he had to make it so morbid and disturbing! Undoubtedly, it is a brave film and full credit goes to the director for making every scene realistic and characters life-like. In the process, the film neither ends up as a political testament nor about the restorative power of love. Paruthiveeran tries to examine the changing equations of love set against caste tensions in a village. Dark, deadly and daring- Ameer?s Paruthiveeran kicks off by treading on ground where angels fear to tread.ДЄmeer films have always dealt with human relationships and struggles to achieve true love.